Concert Reviews

    As per the title of this piece, this show was very much long-awaited for me. Anyone who knows me knows I am quite the Palomine superfan, but I’ve also been a huge fan of Steeple for at least a year now.

Anyone vaguely familiar with Earl Sweatshirt’s discography might not be sold on the idea of seeing him live. Although he’s one of modern rap’s greatest writers, his work has long dealt with heavy, sombre subject matter. In his earlier projects, the then-teenage prodigy laid bare his struggles with anxiety and the psychic toll of growing up in the public eye, while later works offered more layered explorations of depression, loss, and grief.

As it snowed with ferocity on the streets of Montreal, the three-piece outfit (not dissimilar from what they wore), Sharp Pins, rocked La Sotterenea –  basement venue of La Sala Rossa – in style. Hailing from Chicago, a city at the epicentre of the fast-evolving and emerging indie-rock sound and scene, they brought with them not only a zest, spunk and flair for theatrics, but also a particular analogue flavour hard to come by in our present hyper-digitized hellscape.

When my partner and I walked into the dimly lit, crowded and buzzing showroom of Casa del Popolo, coming in from a deep cold on a busy Boulevard St Laurent, I knew tonight was going to be lovely. 

As a first-year student at Concordia, I’d never been to McGill’s Lilith Fair, though I’m aware that it happened last year as well. This mini-festival, organized by the McGill Collective for Gender Equality and McGill’s Jam for Justice, is inspired by the original Lilith Fair, founded by Sarah McLachlan in 1997. Her goal with this festival was to promote female artists and address gender inequality in the music industry.

The press tour for Josh Safdie’s new film, Marty Supreme, is virtually inescapable. Perhaps you’ve seen the orange blimp flying over the southern USA.

Old Soul, a rock band together for nearly a decade, released their new album, Undercurrent, two weeks ago. I streamed it soon after it dropped. It was early morning on the bus to work, and I wasn’t expecting the tone change for this album after having listened intensely to their first album, Overgrown, three years ago. The audience was given context for this upcoming project: flowing water, the colour blue, and a siren lounging along a rock face.