The odd thing about The Planet Smashers is that I know they're a great band and I know I'll enjoy the show, but I never go see them. My guess is that it’s been at least 6 years since the last time I saw them. The thing that sticks out in my memory about that last time is that it seemed like I and my friend were the only two people in the audience who weren't dancing. Well this time I was flying solo, so take a guess how many people there were standing still…

This is the fifth time I’ve attempted to begin this Street Dogs review with some kinda hyperbolic statement about how the show blew my mind and how Foufs is the perfect venue for a punk show and how the Street Dogs revolutionize street punk in 2009 but really? Who wants to read that? Not every show has to be mind-blowing or revolutionary to be good, and believe you me, this show was GOOD…except for one teency little programming snag.

Of all the musical pairings I've seen on Montreal stages these past few years, not many have been as inspired as this one: a collision of two of Canada's most enduring punk bands, both of whom have a penchant for twisted humor and social commentary - and surprisingly labyrinthine tunes. With the unenviable task of opening up for two long-standing punk institutions, locals Grand Trine did the sensible thing: they kept it short.

The constant, hours-long rain spell that befell Montreal did little to dampen the spirits of those who showed up for the Riverboat Gamblers/Rancid/Rise Against show at Parc Jean Drapeau, on Ile St. Helene. The crowd appeared to be predominantly youthful and seemed eager for the proceedings to start and jockeyed for position in front of the stage well before the start of the show.