If you didn’t already know, this Vancouver-based artist’s self-titled world tour made its last Canadian stop this past Saturday. “It’s Pronounced BABY NO MONEY” is a play on the internet’s constant mispronunciation of his stage name. I, too, am guilty of such violations. It wasn’t until OSHEAGA 2023—seeing him live for the first time—that I realized how wrong I’d been to insist on calling him BB-NOS.
March 19 2025 // Sydney Sheedy, Piper Curtis // Discordia
As of March 10th, 2025, Concordia Research and Education Workers Union (CREW Union)m have announced that their membership will be on strike on March 12th in pursuit of their first collective agreement with the university. This episode an exploration of the union's origins and it's ongoing fight for better working conditions for teaching and research assistants at Concordia.
This project is funded by the Community Radio Fund of Canada.
Montreal’s Milk & Bone, an electro-pop duo integral to the local music scene, celebrated the 10 year anniversary of their debut album Little Mourning at the Société des Arts Technologiques (SAT).
Last Saturday night, Faye Webster ignited Montreal at the jam-packed venue that is Mtelus. The crowd was filled with 20-something indie kids dressed to impress in Pinterest-worthy outfits, ready for Webster’s return to Montreal. Attending the show with my 16-year-old sister, we were especially excited as March 1st marked the one year anniversary of Underdressed at The Symphony. Many fans knew this and the signage represented that.
Living in Montreal as a second-year university student, I am only exposed to very specific demographics: students, aged 19-24, almost all broke and opinionated. These are the people that make up my circles, and the circles of my friends and their friends, the only demographics I really have any reason to interact with. That’s why, when walking into Bar L’Escogriffe last Saturday, I felt transported into another world, a world far removed from my own. Filling the St. Denis nook were millennials from bar to wall, all toting Doc Martens and second-hand Carhartt vests.
Inside the crowded, cozy room of La Sala Rossa, Jonathan Richman and Tommy Larkins played to a crowd as eclectic as the cobbled-together, endearingly DIY-ed decor of the venue. It was as though the wind had blown Bar Star Bar’s Lord of the Rings trivia attendees from right next door straight into the mezzanine; their polite concert etiquette far outdid any of the other shows I’ve been to recently.
CJLO World Music Director, Kelly, is back on the air for SXSW 2025 pre-festival coverage! Listen in for OneDa, O'summer vacation, Sly5thAve, Ki!, Quebec Sun, El Sonido Live!, and cumbia cumbia cumbia!
In the dead of winter, at a bone-chilling -20 degrees on Sunday night, an army of dedicated fans defied the cold to pack Mtelus, awaiting the performance of Dublin's very own Inhaler for their second headline show in Montreal promoting their third studio album Open Wide. Wrapped in layers upon layers, the fans' unwavering passion transformed the harsh weather into a palpable, electrifying celebration of live music.
What a weird time to be going to the United States and SXSW. At time of writing, there’s a new tariff on Canadian imports, 51st state stuff is still coming up, and it is not looking good for the North American economy. Things have gotten so wild that the Canadian Independent Music Association (CIMA) pulled out of the festival back in February. Still, we here at CJLO are sticking with it and sending a team down.
The crowd roared as the lights dimmed and the stage filled with haze, welcoming Foster the People on stage. After a 7-year absence from the city, the band was back in Montreal’s MTelus to promote their newest album Paradise State of Mind.